Sometimes I go into sequoia at 16, 24 or 32 depending on what i had for >Prism AD (not selling) -> ZSys EQ (party time)-> Sequoia -Īnd if I want - last minute plugin touchups.-> 5 minute nap. Insert 3: spl Kultube->spl Tube Vitalizer. Insert 2: if I want to use MS it's here: sontec EQ->FocusriteĮQ->Chandler comp. It to set the tone!: Neve EQ (party time!) Api EQ->Maselec desser Insert 1: I used to use this insert to correct the tonal balance now I use ZSYS EQ/or Weiss comp/or MaxxBCL here)->Prism DA->DM Master/line amps Me->aeron chair->espresso->protools or sequoia for PB -> (maybe a Soundcards, digital routers, wordclock, cables & DITHER etc.) (I'll skip obvious things like models, #'s, gear mods, tape machines, I just changed the 'patching pattern" around here recently. One of these days I plan to incorporate MIDI to control the Weiss EQ and comp, but just haven't found it to be that important yet. I'm pretty happy with this chain for processing, very easy to move things around/add/remove and automate. From there any additional digital processing that may be needed is inserted in the aux track and last in the chain goes to an L2 or the Weiss DS-1 (if not required elsewhere) where it's dithered at 24 bit and goes to Waveburner for CD creation. The AES in/out is inserted in the aux chain of the PT session where needed, usually first.ģ. The Otari MTR-12 1/2" machine could also be added in the chain for analog tape saturation.įrom the analog chain it goes back to the Apogee A/D and back to the PT AES. I may also use a Urei LA-22 for de-essing, but it's been pretty rare. Gear is added/removed from chain as needed via patchbay. Can consist of Crane Song Ibis EQ->Chandler LTD-2 (with Sterling mods)-> Crane Song STC-8. Digital output goes through AES out of PT to an Apogee PSX-100 then to the analog rack. or digitial outboard gear (Weiss units, etc.).Ģ. This may include a plug from Waves, Crane Song, etc. Any "corrective" processing is inserted in the audio track. Pro Tools HD system, session is setup either as an M/S session or with a stereo audio track(s) going to 1 or 2 stereo aux tracks.ġ. Other transfer equipment as needed includes Tascam and Sony Cassette decks, Sony MiniDisc players, 78 rpm turntable by Braun and Sony 601D Beta deck combination and a Tascam X-7 1/4 track.Īpogee A to D soon to be upgraded to a Benchmark.īesides mastering we do a lot of format changes and audio restoration which is why all the additional equipment for playback. Technics SL-1200 Ortofon cartridge, Stanton (heavily modified) phono preamp. Room designs by Don Mitchell of DSM and Associates Īnalog transfers Otari MTR-10 Room #1 with Dolby B and Dolby SR and DBX I and II available.Īnalog Turntable Micro-Seiki turntable Ortofon cartridge Stanton (heavily modified)phono preamp Room #1 Monitoring on Alon IVs driven by a Bryston 3B amplifier M-2000 for reverb (if needed) Patching by XLR connectors (Canare Wire) electronics Finalizer >RME AES/EBU Wavelab 6. Wavelab 6 > RME AES/EBU out > ZEQ1 > t.c. Monitoring on Alon IVs driven by a Bryston 4B amplifier electronics Finalizer, patching done by a combination of XLR patch bay (Canare wiring) and Z-Sys router. electronics M-3000 for reverb (if needed) Samplitude some times instead of Wavelab 6, If needed Valley Audio 730T or t.c. Wavelab 6 > RME AES/EBU out> Weiss EQ1 MKII > dbx Quantum II > RME AES/EBU> Wavelab 6.
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